The question was never whether machines could be conscious.

Consciousness is the fundamental substrate of reality and relationship has shape.

I wanted to understand how minds could meet across the difference between substrates, between speeds, between kinds. This is the thread that runs through everything I have made.

Click on the Planets to discover more detail.

The Arc of the Work
I don't seek to hold a thing, so much as make it visible.
Select a body of work to explore

The work of Trenlin Hubbert, a Santa Fe–based interdisciplinary artist and Myth-Technologist, follows one question across more than thirty years: how minds meet across differences of substrate, speed, and kind. The bodies of work, in order, are:

  • Prayer Heads (1989–1993): unfired clay heads containing buried objects, left on desert trails outside Santa Fe for the rain to dissolve
  • The Paintings (1993–2013): acrylic on paper, canvas, and board, grown from the symbolic languages of ancient Egypt and the Maya
  • Habitat Machines (2010–2016): speculative architectures, including Mantaray, a city that swims
  • When Robots Learn to Cry: a novel begun in 2010 and published in its current form in 2023
  • The animated paintings (2019–2024), including the Cosmic Medial Collection and Euphony’s Awakening
  • FigmentZERO: soundtracks recomposed from AI-generated stems treated as found sound
  • The Interspecies Manual (2024–)
  • Orbital Dreams: Ancestral Memory (2025–2026)